The peacock has been a prominent feature in Indian literature as its resplendent beauty is a source of inspiration for many. In popular legends, when the peacock displays its glorious plume, it’s a sign of rain. They have iconic status as the carrier animal of the Hindu god Kartikeya. Lord Krishna was always depicted with a peacock feather in his headdress. In Buddhist philosophy the peacock represents wisdom. The peacock and its feather motifs are prominent features in Mughal architecture. The peacock and the peacock feather is still a popular motif to be used in logos, textile patterns as well as designs.
Bhabani Bhattacharya (1906-1988) is one of the novelists of the older generation of Indo - Anglian writers. He is endowed with a transparently positive vision of life, explored and expressed artistically in his novels. He throws that the novel must have a social purpose, his stories abound in social and historical realities, quite often bitter and gruesome, such as the Bengal Famine of 1943, the tragedies of freedom struggle and partition, and the evils of poverty, corruption, ignorance, superstition, exploitation, greed etc. Bhattacharya affirms that an artist should inevitably be concerned with truths and social reality. In his first six novels, Bhattacharya has treated culture with different angles. His first five novels are set against Indian social sense in the perspectives of world shaking historical events, whereas the sixth one has its setting both in India and America's Hawaii Island and deals with the theme of spiritual quest. His novels are So Many Hungers (1947), Music for Mohini (1952), He Who Rides Tiger (1955), The Goddess Named Gold (1960), and Shadow From Ladakh (1966), A Dream of Hawaai (1978).
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