Barthes toys essay

This “split week,” presented by the American Dance Festival, brings to town works that premiered in Durham, North Carolina, this summer. In The Lectern: rule by rule by rule , playing Tuesday and Wednesday, Claire Porter & Sara Juli, two of the dance world’s foremost comic artists, collaborate in words and movement on bending the rules that constrain our daily lives. On Friday and Saturday, Yossi Berg & Oded Graf Dance Theatre, a duo of Tel Aviv–based performers with first-class pedigrees, shows us Come Jump With Me , which examines the importance of creating art in contemporary Israel. Critics have called it “a blow to the stomach, somewhere between black humor and suffocation,” “daring and personal,” and “a cartoon that becomes a gut-wrenching act of hara-kiri.”

Repeatedly, this essay turns on figures of pregnancy and gestation. Zoe Sofia (1984) taught me that every technology is a reproductive technology. She and I have meant that literally; ways of life are at stake in the culture of science. I would, however, like to displace the terminology of reproduction with that of generation. Very rarely does anything really get reproduced; what's going on is much more polymorphous than that. Certainly people don~t reproduce, unless they get themselves cloned, which will always be very expensive and risky, not to mention boring. Even technoscience must be made into the paradigmatic model not of closure, but of that which is contestable and contested. That involves knowing how the world's agents and actants work; how they/we/it come into the world, and how they/we/it are reformed. Science becomes the myth not of what escapes agency and responsibility in a realm above the fray, but rather of accountability and responsibility for translations and solidarities linking the cacophonous visions and visionary voices that characterize the knowledges of the marked bodies of history. Actors, as well as actants, come in many and wonderful forms. And best of all, `'reproduction"-or less inaccurately, the generation of novel forms-need not be imagined in the stodgy bipolar terms of

Jacques-Marie Bardintzeff, vulcanologist Gilles Tosello, cave-painter, Chauvet Colomban de Vargas, CNRS Erik Karsenti, CNRS Christelle Jozet, Université de Caen William Kriegel Yves Marchand and Romain Meffre, photographers Charles Brewer-Carias Phillipe Gaucher, CNRS Guyane Gaëlle Fornet, CNRS Annaïg Le Guen, CNRS Jacques-Olivier Barthes, WWF Jill Robinson Animal Asia Foundation Catherine Vincent, Le monde Olivier Tostain, consultant Marion Lacaze, Université de Bordeaux Stéphane Thévenin, broker Hélène Thiollet, CERI Georges Chapouthier, CNRS Will Potter, author Jean-Pierre Boris, journalist Jade Lindgaard, journalist Anne de Loisy, journalist Michel Kreutzer, ethologist Dalila Bovet, Université Paris X Alexandra Liarsou, archaeologist Christophe Féron, Université Paris XIII Jocelyne Porcher, INRA Bernard Vaissière, INRA Gérard Arnold, CNRS Anne-Caroline Prevot Juliard, MNHN Agathe Colleony, MNHN Alan Vergnes, MNHN Nathalie Siefert, Parc du Mercantour Trevor Sandwith, IUCN Andrew Blum, author Vinciane Despret, philosopher Mark Post, Maastricht University Elisabeth Plas, ENS Jean-Pierre Digard, CNRS Assaf Schwarz, MNHM Eddy Fougier, IRIS Rob Bailey, Chatham House Bernard Denis, Académie d’Agriculture de France Fabienne Duteil-Ogata, EHESS Susan Clayton, Collège of Wooster Véronique Servais, Université de Liège Catherine Bastide, LOOF François Gemenne, CERI Carine Celibert, journalist Franck Courchamp, CNRS Arnold Van Huis, Université Wageningen Bas Verschuuren, chercheur Philippe Chalmin, Cyclope report Sébastien Abis, IRIS Jean-Luc Jany, LUBEM Gerlinde de Deyn, Wageningen University Vincent Goossaert, EPHE Arezo Malakooti, Altai Consulting Anne-Marie Brisebarre, anthropologist

Barthes toys essay

barthes toys essay

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